Registered Charity 1201139

Why we carry out research at Multitude of Voyces:

 

We carry out research:

  • So we can create impactful projects which fulfil our charitable aims in our own particular way
  • because we are interested in understanding why people who belong to certain groups of society find it harder to succeed and thrive in the world of classical music-making than others. 
  • so we can understand why some historical attitudes persist in the classical music world even though they are being successfully addressed in other areas of life
  • because we are interested in learning about historical (deceased) composers whose music has been overlooked, forgotten, or deliberately ignored
  • so we can draw together new knowledge and tell a more rounded story of music-making in the past
  • because we want to play our part in learning from the past and developing more equitable habits in the Arts for the future
  • so we can provide meaningful new opportunities for communities in the Arts who have been previously overlooked or marginalised
  • because we must be able to demonstrate to Donors what their money is needed for and why

 

Note: It can take several years of research - sometimes involving multiple areas of the Law and professionals with related expertise - to plan one of our projects. So much research has to happen sensitively in the background at MoV; if you are able, please consider making a donation to enable us to continue this valuable work. 

 

 

Who we work with:

 

Our research enables us to identify:

  • particular communities we could support and raise up through our projects
  • individual composers or writers who are keen to represent their own particular underrepresented or marginalised community 
  • Project Partners who want to demonstrate their own commitment to a more inclusive and diverse classical music world and who can help us in our work
  • musicologists who would like to collaborate with us to have their work reach a wider audience
  • the executors of creative estates which are still in copyright
  • family members of deceased composers who would like our specialist support to get their friend's or relative's work published and performed. 
  • Trusts, Societies or other organisations - including public and private archives - which would like to collaborate with us for mutual benefit
  • inclusion experts, and other professionals in social-sciences and education who can help us ensure that the value of our projects goes beyond an individual commission, publication or performance

Research at MoV

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