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Lili Boulanger (18931918)
Composer; Organist; Singer; Instrumentalist
 

composer Lili Boulanger circa 1913 with long dark hair loosely tied back, wearing a dark dress with large lace collar and dark bead necklace

Works published by MoV
Pie Jesu (S & Organ)

Pie Jesu (S & Organ)

Although sketches for the Pie Jesu can be found in the notebook Boulanger used in her teens, she was not drawn to complete the piece until in the advanced stages of the illness that killed her early in 1918. The tragedy that saw Boulanger effectively composing her own requiem music, with her sister, Nadia, acting as amanuensis when Lili was too weak to write, adds additional poignancy to what is already a hauntingly beautiful setting. The angular melodic shapes, with phrases sometimes spanning dissonant intervals, are set against sinuous, chromatic ascending and descending scales in the accompaniment. The music becomes heartbreakingly simple for the final petition for eternal rest, before an amen characterised by syncopation in the melody against an organ ostinato, recalls the opening melodic phrase. The final chord is harmonically unresolved, calling to mind a life half-lived, and denied peaceful fulfilment.


Translation: Blessed Lord Jesus, grant them eternal rest.

Pie Jesu (S & Organ)

This work is published in our anthology Volume 2

To order the sheet music click on the buttons below.

Perusal score coming soon

 (August 2025)

Lili Boulanger (1893–1918)

Marie-Juliette Olga “Lili” Boulanger was born in Paris in 1893 and her musical talent became apparent at the age of two when Gabriel Fauré, a friend of the family, discovered she had perfect pitch. Her parents, both musicians, ensured that Lili and her older sister Nadia received a thorough musical education at the Paris Conservatoire. Lili began lessons in music theory at the age of 5 and studied the organ with Louis Vierne. She also sang, and played the violin, cello and harp. In 1913, Boulanger won the Prix de Rome composition prize for her cantata Faust et Hélène, following in the footsteps of her father Ernest Boulanger, who won the Prix de Rome in 1835. The cantata was frequently performed throughout her lifetime and its popularity led to a contract with the music publisher Ricordi. Boulanger’s short life was blighted by debilitating illness. A case of bronchial pneumonia permanently weakened her immune system and led to her contracting intestinal tuberculosis, which ended her life at the age of 24. Her death left her first opera La princesse Maleine unfinished. Her sister, Nadia, the first woman to conduct the New York Philharmonic, worked tirelessly throughout her life to promote Lili’s music and to preserve her legacy. (Eleanor Burke)

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